DCI Gene Hunt (
the_gene_genie) wrote2010-09-28 06:32 pm
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OOM: Room 6620
He's never really been one for sitting alone with his thoughts - to be honest, there aren't that many occasions that call for it. He tends to be confident in his actions and decisions and give little mind to his failings or mistakes.
This mood that Saffron put him in though, is actually more normal. And he'd defy any copper to deny they felt the same way, at times. It's a thankless job they do and a never ending one as well. Everyone copes with it in different ways. Gene's way, tonight, is to drink and then drink some more, shifting around the room as various parts of his body complain from his recent excursions.
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'Know 'er, do ya?'
Melted heart, his arse.
'I prob'ly did what any good copper would've done.'
It obviously had meant a lot to her, whatever it was. But he's not one to sit around listening to compliments - at least, not when he's in a situation he's not all that comfortable with.
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"You did your duty. Now are you going to pour me another or have you joined the Temperance Brigade?"
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'Looks like you might've 'ad enough.'
The measure he pours is still pretty large though.
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"What are, my mother now?"
She takes her glass and settles back onto the bed with a boneless grace, resting it on her thigh. (Blue jeans, painted on to ample hips and strong thighs, tapered down to her ankles, black socks with little white polka dots on them.)
"You know, Guv. You may not believe it, but you trust me. We're -- you're one of the best friends I've ever had."
Maybe it's the alcohol that's making her speak the truth of the matter. Maybe it's that this isn't her Gene, and he doesn't know her, can't see all the little ways in which he's got well and truly under her skin. Maybe it's that he's the one that's leaving this time.
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He's still trying to get used to the idea of a female DI, full stop.
'What am I doin' in London, anyway?'
This is the question that's been eating him up whenever he thinks on it.
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"You're doing the same thing you were in Manchester. Driving like a maniac, banging heads, foiling blags, putting scum behind bars." There's a hesitation, but just a momentary one.
"Fighting the worst of police corruption. Drinking the bar dry every night. Lather rinse repeat."
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'I'm bloody glad t'hear it.'
It does seem likely, he has to admit. He can't imagine himself changing that much. But he refuses to think about police corruption. He's had quite enough of that recently, more than enough for a lifetime.
'You don' strike me as someone who I'd have all tha' much in common with. 'Cept the job.'
He's still rather stuck on the concept of them being friends.
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"The neverending tide of shit, of bodies broken and used up by someone else's greed or hubris or worse, their heartless boredom. Good decent people who never get a break because the predators are always circling, and only us to keep them at bay. Or worse, only there in time to pick up the pieces, and hopefully figure out how to put the bastards responsible away so they can't hurt anyone else. A job made all the more difficult by the greedy and bent among us."
She takes a long drink, again. The more things change, the more they stay the same.
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But he's quite freaked out by the way her words mirror his thoughts from a few hours ago. Maybe they do have a bit in common after all.
'There's more t'life than workin', Drake. Gotta 'ave room for some fun as well.'
He's looking down at his glass as he says it, like he's not sure it's true. He has fun while he works. He also likes going to the football and the pub and clubs and on holiday. But he's never as truly alive as when he's chasing down some bastard and smashing their face into a cell wall.
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"You know, I'd consider that once. Fun. But then I found out my boss was a right terror, who has no compunction about knocking on my door at all hours, and dragging me out of bed to help pull bodies out of the canal. And if he's not doing that, he's keeping me up all night going over financial records and filling flip chart after flip chart with known associations and snouts and odd relations who might owe him a favour or two."
"If you ask me, he's the one who works too hard." That is definitely a tease, as her Gene has many times been the one to bugger off to the pub before she did.
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'...soun's like a righ' twat.'
What the hell happens to him over the next few years? Because what she describes couldn't be further from his personality. Well...OK, he's woken Sam up in the night to pull bodies out of the canal because that's hardly his fault, he doesn't control what time they're discovered. But financial records?
'Wha's a 'flip chart' when it's at home?'
This may not be a serious question.
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And yes, her tone is obsidian sharp. Or at least as sharp as can be when she's this tipsy.
"He's -- just..." Better to answer the other question.
"It's a --" She waves a hand. "Paper. Large sheets of paper on a pad. For taking notes that the whole room can read."
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There are far more important matters to deal with though. He leans forward, giving her the sort of penetrating stare she should be very used to by now.
'Where's Sam?'
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The corner of her mouth twitches, and it's a sad smile that settles eventually.
"Sam got married."
It's not an answer. She knows it's not an answer. But she doesn't want this Gene to hate her, too. At least, not for things she has no control over. (Her name is Molly.)
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Oh. Well. That's perfectly acceptable.
'...that girl.'
Of course, it doesn't explain why he...or maybe it does. Maybe his wife doesn't want to move to London. Maybe...bloody hell, maybe Sam gets his job.
Nightmare. He doesn't want to think about it. And he's still staring at Alex that way.
'An' my wife?'
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She sighs, closes her eyes and rolls to her back again.
"You never talk about your wife."
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He sits back. He doesn't talk about his wife even now. Hardly ever. It's not what men do. So this is, actually, a reassuring answer. There's nothing in it to suggest she's not around, there's no hint that he's not married. It doesn't answer any questions either but it's certainly not bad news.
'Wan' another drink?'
He's perked up a bit now, hearing that. The future doesn't look quite so bizarre. He might even ask the bar to let him see what a flip chart looks like so he can properly understand what she was on about.
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And he hasn't once called her Bolly, or Bols, or Mrs. Woman. All the little things she usually thinks are annoying, and why the hell doesn't he just use her name? Well, today. She misses them.
When did her real name become Bollykecks? When did that happen?
How will she deal with that back in 2008? When everyone calls her Mum, or DI Drake, or that poncy little sneer that Evan can wrap around her first name, like he could apologise for all his transgressions and still be her father figure in the same breath. She closes her eyes even tighter, trying to remember the sound of his voice calling her from his office, demanding she drop whatever it was she was doing and attend him right this instant. 'Bolly!' When did that become so -- important to her?
She doesn't even notice how hard she's biting her lower lip.
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'...if you're gonna chuck, bog's that way.'
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"Always the charmer you are."
She still doesn't look at him.
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He pours himself another drink and lights up another fag. A Players, not the Panatellas she'll be used to. They might even smell better.
'Cheer up. We've got booze.'
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She does sit up and get her glass, holding it out to him. Okay, letting it drift down to the bed where she can get a grip on it before it drifts away entirely.
"You call me 'Bolly.'"
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He's possibly even more direct in this timeline than later on. If that is possible.
He does pour her a drink, though.
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"'S a nickname. From the first time you saw me. I was undercover. You thought I was a prozzie. You called me Bollinger Knickers."
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He thinks on it a beat.
'...yeah, soun's like the sort of thing I'd say. What were you doin' undercover as a prozzie?'
Another beat.
'An' what were you wearin'?'
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