DCI Gene Hunt (
the_gene_genie) wrote2011-08-01 05:28 pm
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Entry tags:
- 1888,
- kate barlow,
- oom,
- texas
OOM: Texas, 1888. Just outside Oakville
He's glad when she rides them out of town, away from where anyone might see this. It makes sense, of course. It'd be a bit stupid for her to be teaching him how to do this stuff in full view of the people who think he already knows how.
It feels weird to be back in the saddle after a few days out of it, though. Hurts, too. He'd thought these aches were going away but nope, they were only asleep. So it's a bit of an uncomfortable ride, especially coupled with the heat. He doesn't moan though. He'll be in trouble if she changes her mind about helping him here.
It feels weird to be back in the saddle after a few days out of it, though. Hurts, too. He'd thought these aches were going away but nope, they were only asleep. So it's a bit of an uncomfortable ride, especially coupled with the heat. He doesn't moan though. He'll be in trouble if she changes her mind about helping him here.
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He's not making any move to get away, or lessen his hold on her.
'Take it I can stay tonigh', then?'
Can never assume, with her. And he wants to stay, even just for sleeping. He's pretty knackered, truth be told.
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"Yes."
She's quieter than usual. Her soft voice is barely audible, even in the silence of the room. So, she turns with care while still in his embrace. Cautious, like she's standing on thin ice. And once, finally, she's facing him, she slides her palms against his chest and looks at him through her lashes.
"You can stay."
She wants him to stay, but it wouldn't do to sound like she's begging, or desperate. She'll merely allow it, since he asked.
She debates with herself.
"I'm s — "
The fledgling apology gets stuck on its way up, like a sparrow caught in a flue.
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'What for?'
Fairly obvious what she was going to say. He imagines she's apologising for exploding at him down there, but history has proven they don't do well with assuming. Anyway, he doesn't think she needs to apologise for that. She was scared. People explode when they're scared.
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She wants to say 'for losing my composure', but rather than draw attention back to herself she lets out a breath and presses the softest of kisses to the smooth crook above his adam's apple, right where the fleshy underside of his chin meets his throat.
"I know you meant well."
He almost always means well. And so does she. Somehow, things just get lost in translation; or she scares herself out of saying what she really should be saying. That this doesn't even have much to do with him at all.
"Get undressed. I'll pitch the dirty water out so's you can clean up a bit, hm?"
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After, he steps back, and shucks off his jacket. He could do with getting this dust off him.
'That soap don' smell of flowers, does it?'
Women's soap always smells of flowers.
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Her lips twitch as she reaches for the bowl, using a firm grip so she doesn't drop it. She tics an eyebrow at Gene before carrying the bowl to the window.
"However, I could throw in some lavender an' rose petals, if you'll be missin' 'em too awful bad."
She's careful at the window, pulling the lace aside with her forefinger to check the street. She doesn't like feeling exposed, though things outside still look quiet. She throws out the old water, and wastes no time about it; closing the curtains tight when she's done.
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And gets on with undressing, unsnapping the suspenders with some relief, and throwing the shirt randomly into the corner of the room. He eyes her as he sits on the bed to pull his boots off (they go the way of the shirt).
'How come you're not gettin' undressed?'
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She sets the bowl down again, and fills it partially with clean, cold water.
"An' because I'm gettin' water for you."
And because she needs to keep moving. She needs to have something to do. Her legs feel like lead weights.
She throws a clean washrag in the general direction of his face, and smirks crookedly. "There. Now, I reckon y'can take care of the rest."
Like the night before, her nightgown is hanging off the screen in one corner of the room. That's where she goes, disappearing to change and give them both a little privacy.
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Only half kidding.
He catches the washrag in one hand, rolls his eyes at her and then follows her movement behind the screen. It's a tad confusing. He saw it all last night, so why the shyness?
The rag gets dunked in the water; he's rubbing it idly over his neck as he wanders over, and round the edge of the screen, leaning comfortably against the wall.
'What're you doin'?'
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"I'm bakin' a cake," she says sharply. He's clearly starting to rub off on her; she's been noticing how her accent, too, softens when he's around, sounding more like her father's studied drawl. "M'gettin' changed, Gene; what d'you think?"
To be fair, she would use the screen even if she was alone in the room.
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'Yes, thank you, Mrs. Obvious. What I mean is, why're you hidin' behind here?'
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And she's still half-turned with her back to him, one arm covering her breasts, and the other attempting to obscure the lion's share of scars on her body. They're far too spread out to successfully hide them all, however.
"I'm not accustomed t'droppin' my drawers in front of someone else."
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And yes, he's smirking, but not in a mean way. Not at all. Affectionate, if anything.
There's also not a single shred of dissatisfaction in his eyes now he's looking at her. The exact opposite, in fact. He pushes off the wall, leaves the washrag on his shoulder and puts one hand on her shoulder, asking her to turn.
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She's not so much shy as she is simply grasping to form. There are certain rituals one adheres to. And, besides, she rarely needs an excuse to yell at Gene, affectionately or no.
"I'm in no humor for your tomfoolery."
She sighs dramatically, though as he closes in and urges her to turn towards him, she complies with little reluctance.
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He snorts a quiet laugh, and his other hand closes around her forearm, gently pulling it away from her body. She doesn't need to cover up around him.
'Want some help now?'
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"A team effort?"
Her now free hands skitter across his skin, forefingers dipping below the waist of his trousers.
"Workin' together toward a common goal?"
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''m'a big fan of teamwork,' he says, sliding his hand over one breast, feeling the soft weight in his palm. 'Ask anyone.'
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She's tired. She's no longer shaking on the outside, but on the inside she's still wound tight as a drum. Just standing here with him feels good, his hands on her body and their heat mingling. She rests her forehead against his breast, hands sliding around his middle until they're grasping his backside.
"I'm not gonna need my gown tonight either, am I?"
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He kisses the top of her head, feeling the low thrum of arousal start up, deep in his gut. His thumb brushes over her nipple, his other hand sliding up to rest lightly on her neck.
'C'mon.'
Bedtime.
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Ever think about that, Gene?
Of course, it's hard to stop the way her body naturally responds to him. Her nipple hardens under his touch, and without needing to think about it she cants her head to the side, easing more firmly into his touch.
"Okay."
It's all she says. All she needs to say. She'll let him lead her back to bed.
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'One minute,' he says, when she's next to the bed. Because he didn't get very far at getting clean, and it's only polite to take care of the worst of it. And he's a bloke. Washing up doesn't take long.
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"Want me t'get your back?"
She's only half teasing.
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'If you like.'
She can touch him wherever she likes. He's not going to moan about it.
Or maybe he will. In a way.
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She gets on her knees, moving to the edge of the bed, and holds out her hand. While she waits for him to hand her the cloth, she grabs him by his slackened suspenders and gives a tug to encourage him closer to her.
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Then he takes the few, small steps to her, and looks at her for a minute, before leaning down to kiss her.
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